#Japanese film with only daft punk songs series

For better or worse, RAM wants to be the sum of people working on music together ( the way folks used to).

#Japanese film with only daft punk songs series

The CreatorвЂ™s Project even did a beautifully rendered Youtube series interviewing each of the collaborators about their contribution to the record. And as a lot of the press leading up to Random Access Memories has made clear, the album is very much a result of collaboration. Daft Punk have specifically talked about how they wanted to do what theyвЂ™ve always done, but with humans. The duo have something more ambitious and specific in mind, culling sounds from Los Angeles circa 1979, an era of music theyвЂ™ve always shown an affinity for. And in a lot waysвЂ“some obvious, some notвЂ“that makes all the difference. The duoвЂ™s penchant for gaudy flash, minimal songwriting, music nerdery, and, well, bombast is still all thereвЂ“theyвЂ™re just not making sample-based music anymore. On the most basic level, nothing has changed on Random Access Memories, the duoвЂ™s first proper studio LP since 2006вЂ™s middling Human After All. It was an album about their own music, and an almost literal deconstruction of that first facet of their persona. Daft Punk are, and will forever be, DJs at heart, and thereвЂ™s a reason Alive 2007 is, in this criticвЂ™s humble opinion, still their most meaningful and unified statementвЂ“even without the visual spectacle.

This is the side responsible for DiscoveryвЂ“a record that channeled the previous twenty-five years of glitzy pop music, trudging across electro, disco, r&b, rock, and filtered it through Daft PunkвЂ™s vision of sample-heavy French house bombast. There seems to be two facets to the robotsвЂ™ persona.